Full latex public

Wearing latex in public always brings a certain charge, and this shoot was no exception. The location—a stark, industrial corner—set the scene with muted concrete tones that let the outfit’s bold contrasts do all the talking. I chose a black latex dress with a tight, glossy silhouette, layered with vibrant red opera gloves and matching red ballet heels. Visually sharp, unapologetically styled.

The heels were new, and while striking in color and form, they didn’t offer much stability. That added a layer of challenge I hadn’t expected but ended up embracing—each stance and transition became more conscious, more deliberate. The collar stayed on, still part of my month-long challenge, and though it always attracts attention, it remains something I’ve fully integrated into these moments.

This shoot also came with an uncomfortable but ultimately clarifying experience. An older man misjudged the situation, filmed us without permission, and even tried to frame Raymond. When the police arrived, they were respectful and thorough. They listened, assessed everything calmly, and in the end, exposed the real issue: someone violating our consent and space, not the shoot itself. It was a reminder of how visible this kind of work can be—and how important it is to stand steady in it.