Full latex paratrooper

When the Set Starts Moving

Dressed in full latex and balancing on my tiptoes already gave the shoot a very strong shape, but Raymond wanted more than a static background. So he opened up the parachute behind me and added the big wind machine. Suddenly the entire set started moving around me instead of simply sitting there.

Controlled Chaos

That was the part I loved most. The latex stays incredibly clean and precise, while the parachute does the exact opposite. It folds, twists, inflates, collapses, catches the light differently every second. I had to react to it instead of just posing in front of it, which made the whole shoot feel much more alive.

Sometimes the Background Becomes the Partner

A good set should not only frame you. It should change what you do. The wind, the fabric, the noise, the movement- all of it pushed me into different poses and made the Ballet Heels feel even more dramatic. This is one of those shoots where the setup became part of the performance, and I absolutely love how it turned out.